Autumn 2004 (12.3)
Heartbeat of History
by Betty Blair
"Hello - How are you? - I'm fine
- Thank you very much!" came the greeting, all in one single
breath as the little girl blurted out what seemed to be all the
English she knew. It was a hot summer day in Baku's "Ichari
Shahar" (pronounced ee-char-EE sha-HAR) the part of town,
which foreigners usually refer to as "Old City". Such
earnestness is so typical of the kids who play in the streets
And then there was Nura (see page 12 and 28), a bright, young
engaging 11 year old who, with limited English vocabulary, managed
to keep me, an adult happily engaged for nearly an hour.
"What's your name?"
"Where are you from?" "Do you have any children?"
"Do you like Baku?" "Do you want to see my English
books?" "When I grow up, I'm going to America to study
in high school".
And then Nura drew a sketch of a hopscotch grid and succeeded
in telling me that when you reach Level 7, the rules don't allow
you say a single word or even laugh while you're jumping, even
if your playmates try to trick you. Otherwise, you lose your
turn. It seems that imposed silence was much more challenging
for Nura than reciting a poem or singing a song that subsequent
levels required. Clearly, she excelled at communicating and making
friends - even with total strangers. Being quiet and withdrawn
was totally alien to her personality and so uncharacteristic
of the place in which she was living - Ichari Shahar.
Left: Typical street scene in Baku's Old City
So, what is this phenomenon called "Ichari Shahar"
that dates back at least to the 12th century? For most foreigners
and even Azerbaijanis (at least, the ones who don't live there),
Ichari Shahar is defined by the major thoroughfares that transverse
this corner of town, and by the major monuments found there,
such as Maiden's Tower, Shirvanshah Palace, several caravanserais,
which have been converted into restaurants, the Friday Mosque,
a few bathhouses, art galleries, a carpet workshop, and the big
gray Soviet-constructed Encyclopedia Building which natives deem
"the ugliest building" in all of Ichari Shahar.
Actually, you can walk the entire perimeter road just inside
the citadel walls in little more than half an hour. Exploring
all the lanes and alleyways - indeed, many kilometers - requires
several hours. But if you really want to understand Ichari Shahar,
get off the main thoroughfares and wander along the narrow alleyways.
It's there that you'll discover that Ichari Shahar is really
all about community.
To Westerns, it might seem that living in such close proximity
to so many people would cause them to become introspective and
secretive. But the opposite seems to be true. In Ichari Shahar,
it's really hard to keep any secrets when your neighbors know
so much about you, including what time you go to bed, what time
you wake up, what's cooking for dinner, what triggered last night's
quarrel, what TV channels you prefer, and what your favorite
music is. It wasn't so long ago that people had the practice
of going to the bathhouse and upon their return, neighbors would
call out in greeting, "May you always be clean!"
But it's all fair game, you probably know equally as much about
them. Perhaps that's the glue for these relationships. Maybe
centuries have taught the natives of Ichari Shahar that survivability
really depends upon friendship, not isolation.
We were surprised to find that so little had been written about
the Old City. In other countries, if they had such a charming
gem in the heart of their city, there would be no end to the
books and souvenirs available about its history. Not so, in Azerbaijan.
We couldn't even find many resources in Azeri and there was virtually
nothing available in English.
Probably the greatest deterrent to documentation has been the
frequent reversal of political systems. Since Azerbaijan has
valuable resources, greedy neighbors have eyed and successfully
conquered them on many occasions. During the Soviet period, for
example, to glorify the entrepreneurship of the Oil Barons of
the previous historical period could have led to exile or even
death. And, thus, there has been a tendency not to commit anything
to writing. Unfortunately, oral history results in distortion
of facts and lapses in memory - very quickly.
We did locate a few documents that we've included here: accounts
from the 14th century by Bakuvi who wrote in Arabic, and from
early 20th century by Khadija Aghabeyli who wrote in Russian.
We've also tried to feature some of the brightest personalities
who have recently emerged from Ichari Shahar such as Pianist
Vagif Mustafazade who created the brilliant sound of mugham jazz
by merging traditional modal music with jazz. Elmira Abbasly's
character dolls reflect enormous depth in her philosophy of life.
And no discussion about Ichari Shahar would be complete without
observations by activist artist Mir Teymur who has worked so
hard for the preservation of this medieval city. Each of these
artists has credited growing up in Ichari Shahar as the strongest
factor that shaped their lives.
To our delight, we even discovered that the novel, "Ali
and Nino" by Kurban Said [Gurban Sayid], which has its setting
in Ichari Shahar has become an enormously popular book and now
is available in 26 languages and more than 100 editions and reprints.
That makes it the most celebrated book about Azerbaijan in the
Ichari Shahar, like the archaeological layers upon which it is
built, has so many facets to explore. We hope the pages of this
magazine will further strengthen your resolve to get to know
and feel the heartbeat of history in Azerbaijan - Baku's Old
From Azerbaijan International (12.3) Autumn 2004.
© Azerbaijan International 2004. All rights reserved.
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